1829-1912  Related Paintings of william r clark :. | sturt och hans foljeslagare under kartmatning vid farden till det inre av australien 1844-45. | en kopmanskaravan kommer till en liten oas,dar de kan fa farskt vatten och nagra timmars vila | sex ar fore laing utforskade foseph ritchie och g f lyon fezzanomradet dar de besokte staden murzuq i det inre av libyrn. | den sita anteckningen iscotts dagbok ett markligt exempel pa mod infor en saker och ensam dod. | fuchs karavan av snovesslor startar mot sydpolen fran shackletonlagret vid weddellhavet |
Related Artists:
Ernst Meisel
painted Gretchen beim Kirchgang in 1894
ZUCCARELLI Francesco
Italian painter, Venetian school (b. Pitigliano, 1702, d. 1788, Firenze) Florentine landscape painter and decorator. He twice visited London, where he decorated the Opera House and was well known through popular engravings of his scenes on the Thames. He was a charter member of the Royal Academy. His facile paintings of landscapes with ruins and small figures are best seen in Windsor Castle and in the Academy, Venice.
Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,